Rebecca Radillo examines her love for Mary Shelly's 'Frankenstein' and the spectrum of its many film adaptations.

Alejandra Velazquez examines her relationship to horror movies like The Conjuring, and how it changed her understanding of grief.

Rebecca Radillo examines the unconventional faith-based representation in the Conjuring franchise.

Iris editor Lyvie Scott talks to friends and fellow critics about the films that first defined pleasure for them.

Rebecca unpacks themes of homoeroticism in action films, from the more obvious classics to unsuspecting gems.

Maggie unpacks her favorite college-set coming-of-age films.

Rebecca Radillo lists the best film adaptations of Shakespeare’s plays, both the well-known and obscure.

Lyvie Scott and Rebecca Radillo sit down to discuss their careers as writers, finding tragedy in action, and the future of film criticism.

Rebecca looks back on Tim Burton and Henry Selick's The Nightmare Before Christmas, and the profound message she's taken from the film.

Rebecca Radillo explores the work of Christopher Nolan, and the statements that Interstellar, Inception and Tenet all make about love.

Lyvie Scott reviews Luca Guadagnino's cannibal road-trip romance Bones and All at the SCAD Savannah Film Festival.

Rebecca Radillo explores the similarities and differences between the films that have given her the most comfort over the years.

Rebecca Radillo explores the parallels between David Cronenberg's world in "Crimes of the Future" and our own.

Lauryn Jackson analyzes two recent films, both of which paint an incredibly timely picture about our right to choose.

Rebecca Radillo explores what exactly makes "Top Gun" — and its successor, "Maverick" — so incredible: the male-male relationships.

Rebecca Radillo breaks down her love for tragic gay couples in film — in spite of the harmful effects of the "bury your gays" trope.

Lyvie Scott sits down with filmmaker Quint Scott to discuss Pride, diversity, and his future in film.

Rebecca Radillo weighs her relationship to feminism against the less-than-feminist films of Quentin Tarantino.

Logan-Ashley Kisner compares the struggle between masculinity and femininity to the world of the Swedish horror film "Girls Lost."

Lyvie Scott teams up with her mother, Vanessa, to discuss the female-led films that left the biggest impressions on them growing up.